BRUCE STERLING SLIPSTREAM ESSAY

Slipstream fiction is as likely to be written by those nominally placed on one side as those on the other; writers traditionally considered genre such as M John Harrison and Lucius Shepard feel the pull as strongly as Peter Ackroyd and Rupert Thomson. In her moving and elegant new collection, New York Times bestseller Fowler writes about John Wilkes Booth’s younger brother, a one-winged man, a California cult and a pair of twins, and she digs into our past, present and future in the quiet, witty and incisive way only she can. Your email address will not be published. It does fit the pattern of Lethem’s slipstream work being disappointing though. Which is clearly quite different from what you are talking about.

It can however produce uniquely interesting books. Mitchell combines flat-out adventure, a Nabokovian lore of puzzles, a keen eye for character, and a taste for mind-bending philosophical and scientific speculation in the tradition of Umberto Eco and Philip K. Okay, I’ve changed the link now but no, it doesn’t actually appear. Social thought experiment set in the future. These are the books that contain fantastic elements but are not fantasies, that are naturalistic but not rigorously so.

At the same time, it’s an examination of the difference between processing power and intelligence, and of what it means to have a real relationship with an artificial entity.

6. Slipstream and Crossovers

At the same time it doesn’t seem right to call it a straightforwardly mimetic novel when, as you say, it is very weird. Yeah, it falls a bit into The Bridge category, doesn’t it?

OK, see, I always thought that slipstream meant charactersitics like stream of consciousness, lack of plot or emotional focus, rejection of the concept of truth or story etc. And then there is his earlier work, At Swim Two Birds, where the character in his novel, who happens to be writing a novel, has sex with one of his characters and produces a son – who is then prevailed upon to kill their author by the other characters because he hasn’t given them enough freedom.

Back in the late Eighties in an interview in New Pathways 11 he said: If you still aren’t sure exactly what Slipstream means, the best way to get a sense of this hard-to-place genre is to read some for yourself. Lovecraft into a strange alternate universe ruled by the Old Ones. View Main Library Menu. Grownup and living in London his search for his parents brings the two worlds into contact. It is its strongly post-modern sensibility and deliberate artificiality rather than its fantastic elements that push it into the realm of slipstream.

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Which is clearly quite different from what you are talking about.

What Is Slipstream? – Nine Below

Following a chat with another contributor Ariel, the editor of The Alien Online set about consulting for a new heading for this section because: Plus, there are characters straight of Irish myth conversing with the characters in the novel – with the whole thing framed by a story about a fellow working hard to get through the academic year without letting his uncle down, and writing a story about a novelist on the side.

I shall certainly investigate the Banks and the Sterling. You say ” There is nothing slipstream about The Handmaid’s Talefor example, a science fiction novel in the long line of literary dystopias “.

See alsoBrave New WorldWe et al. Plus, there are characters straight of Irish myth conversing with the characters in the novel – with the whole thing framed by a story about a fellow working hard to get through the academic year without letting his uncle down, and writing a story about a novelist on the side.

bruce sterling slipstream essay

Bruce Sterling coined the term with Richard Dorsett and popularised it in his essay of the same name. See all holiday hours.

Saunders’ feverish imagination conjures up images as horrific as any from a Hieronymus Bosch painting: Slipstream fiction is as likely to be written by those nominally placed on one side as those on the other; writers traditionally considered genre such as M John Harrison and Lucius Shepard feel the pull as strongly as Peter Ackroyd and Rupert Thomson. SF works by non-genre writers Works with one foot in SF and the other sterlng mainstream Works with a strong post-modern sensibility There is a lot to argue about here and Sterling says slipstrea much: These are the books that contain fantastic elements but are not fantasies, that are naturalistic but not rigorously so.

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Recommended Reading Iain Banks — The Bridge Without his M but here Banks creates one of his finest novels from the combination of his two rbuce paths.

bruce sterling slipstream essay

However the term has survived, shorn of its negativity, and whilst not yet a marketing category is still a useful label. It’s worth pointing out at this juncture that Zeitgeist has never been published in the UK so chances of it being in a bookshop aren’t great. Log in No account? Together these stories form The Weird, and its practitioners include some of the greatest names in 20th and 21st century literature.

Should you be interested to teach more than one story or want to explore the possibilities of slipstream fiction further, this is to date the best choice for starting the journey. Slipstream fiction is as likely to be written by those nominally placed on one side as those on the other; writers traditionally considered genre such as M John Harrison and Lucius Shepard feel the pull as strongly as Peter Ackroyd and Rupert Thomson. Here are a few suggestions to get you started.

The novel takes the form of a richly symbolic dream in which the Forth Bridge is reconfigured as an immense city by the comatose protagonist. However the term has survived, shorn of its negativity, and whilst not yet a marketing category is still a useful label. Moving from a drowned future LA to s Cornwall and points in between the same characters and themes are constantly reappraised.

Magic for Beginnersby Kelly Link, Ultimately it can all be explained in a rational frame well, semi-rational so its not straightforwardly rational.